The World Above
by Marcia Lee Jones
Title
The World Above
Artist
Marcia Lee Jones
Medium
Photograph - Photography-digital
Description
20th century
Main articles: Western painting, Fauvism, and Cubism
Post Impressionism as practiced by Paul Gauguin, Georges Seurat, Vincent van Gogh and Paul C�zanne had an enormous impact on 20th century art and led to the advent of 20th century abstraction. The heritage of painters like Van Gogh, C�zanne, Gauguin, and Seurat was essential for the development of modern art. At the beginning of the 20th century Henri Matisse and several other young artists including the pre-cubist Georges Braque, Andr� Derain, Raoul Dufy and Maurice de Vlaminck revolutionized the Paris art world with "wild", multi-colored, expressive, landscapes and figure paintings that the critics called Fauvism. With his expressive use of color and his free and imaginative drawing Henri Matisse comes very close to pure abstraction in French Window at Collioure, (1914), View of Notre-Dame, (1914), and The Yellow Curtain from 1915. The raw language of color as developed by the Fauves directly influenced another pioneer of abstraction Wassily Kandinsky (see illustration).
Although Cubism ultimately depends upon subject matter, it became, along with Fauvism, the art movement that directly opened the door to abstraction in the 20th century. Pablo Picasso made his first cubist paintings based on C�zanne's idea that all depiction of nature can be reduced to three solids: cube, sphere and cone. With the painting Les Demoiselles d'Avignon 1907, Picasso dramatically created a new and radical picture depicting a raw and primitive brothel scene with five prostitutes, violently painted women, reminiscent of African tribal masks and his own new Cubist inventions. Analytic cubism was jointly developed by Pablo Picasso and Georges Braque, from about 1908 through 1912. Analytic cubism, the first clear manifestation of cubism, was followed by Synthetic cubism, practised by Braque, Picasso, Fernand L�ger, Juan Gris, Albert Gleizes, Marcel Duchamp and countless other artists into the 1920s. Synthetic cubism is characterized by the introduction of different textures, surfaces, collage elements, papier coll� and a large variety of merged subject matter. The collage artists like Kurt Schwitters and Man Ray and others taking the clue from Cubism were instrumental to the development of the movement called Dada.
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June 18th, 2013
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